She transforms wallpaper and textiles into immersive visual experiences through her thoughtfully balanced designs. Let’s discover more!

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Patricia’s journey to becoming the talented artist that she is, began with creative beginnings.

“I have always been creative,” Patricia tells us. “It’s a quality I inherited from my mum, who is a self-taught creative in her own right.

“As a child, I was always drawing. The back pages of school workbooks looked like a Melbourne arcade! This invariably led me to pursue a career of graphic design. It was more alluring than marketing, which was the other non-academic tertiary study pursuit of the ’90’s.

“This then followed a 20-year career in the advertising and branding industry as an Art Director and Graphic Designer.

“Then came the time where I felt like things were changing in the industry and I wanted to do something more meaningful with my passion for illustration. I enrolled in a diploma in Surface Design, focusing on interiors.

Her signature style is undoubtedly inspired by nature.

“My inspiration is all around us in the natural environment!” she says with a smile.

“Even just a short walk to the beach can become a botanical study session! I also love to travel, and sometimes just the change in pace and environment and new sights, sounds, and smells reinvigorate the creative juices.

“As for my signature style, I find it hard to describe without sounding pretentious! My designs endeavour to integrate structure and flow in balance.

Inside her creative studio, it’s a mix between intuition and method when it comes to creating her hand drawn wallpaper designs.

“A typical day in my studio certainly isn’t all glamour and fairy dust!” Patricia laughs. “As a small brand, there are many admin tasks that I start the day with. Things like processing orders, following up on shipments and keeping accounts in order.

“But as for my creative process, that’s my favourite! I’ll spend time at my drawing board, illustrating ideas, creating motifs and conceptualising designs and collections.

“I tend to mentally mull and explore natural textures and concepts for a while. Then I’ll finally test out the idea while considering the bigger picture of a full collection.

“Once the idea has developed organically, I sit at my drawing board and illustrate. Designs begin with pen on paper. I create the motifs or texture with the idea of the design I want to create in mind.

“Illustrations are then scanned and modified into the motifs and consideration of the pattern. Looking for balance, beauty, interest, and a uniquely distinct design in my intricate illustrative style.

“Once the design is ‘perfect’, I work on the different colourways that would accentuate and bring this design to life on wallpaper and on textiles.”

Patricia’s illustrations can be seen in her hand drawn wallpapers, textiles and rugs. Creating beautiful pieces crafted with love, care and intricate detail.

“I feel that wallpaper and textiles are a statement of personal taste,” says Patricia. “And as such, they tends to reflect the personality of the decorator, their intent and the application. Perhaps they might be bold and attention-seeking or recessive and subtle.

“I like to think my work falls somewhere in between those extremes. I hope my designs evoke a response not only for their visual appeal, but also for what they contribute to the overall impact of the interior design as a whole.

It’s exciting to see what might come next from this immensely talented creative. We adore how her illustrations are applied to wallpaper, textiles and even rugs. Glorious!

To see what’s next for Patricia, be sure to take a look at her website, or keep up to date on her Instagram.

More creative chats here

The post The hand drawn wallpaper and textile designs from Patricia Braune appeared first on Style Curator.

Her art invites viewers to step into scenes that feel both deeply personal and universally nostalgic. We caught up with the emerging Australian artist to learn more about her creative journey, process and the inspiration behind her beautiful work.

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It was a beautifully creative childhood, shaped by landscape, that led Adele to her career as an artist.

“I grew up in Tasmania, surrounded by the ocean, wild bushland and clear skies. This is the landscape that, even now, continues to inspire my work,” says Adele.

“From a young age, I loved creating and being hands-on. My parents enrolled me in art classes when I was 8, and I’ve been refining my style ever since. Art was never seen as ‘less than’ other subjects like maths or English, it was just something I loved doing and naturally gravitated toward.

“Growing up, I also travelled around Australia, which exposed me to different landscapes, colours and textures shaping my love for details and my thirst for seeing the world.

“Over the past 5 years, I’ve refined my style and this experience has given me confidence. It’s allowed me to fully trust my instincts, just pick up a brush and let the work evolve naturally from a simple idea.”

Adele’s expressive style of art is rooted in storytelling, finding inspiration in every day moments.

“I would describe my work as expressive, narrative-driven paintings that sit somewhere between abstraction and storytelling,” Adele says with a smile.

“I love using colour, texture, and layered imagery to evoke memories and emotions. Text, symbols, and small details often appear in my pieces, helping to create scenes that feel both personal and familiar.

“Over the years, creating commissions and selling pieces has helped me refine my approach and connect with a wider audience. Now, with more focus on my own projects and sharing work online, my style continues to evolve.

“But in essence, the core is always about capturing moments. Whether that’s a summer day with friends, quiet time by the ocean, or a memory inspired by being at home with my family.

“Most of my inspiration comes from the experiences that have shaped my life and the environments where I have evolved.

“Music is also a huge part of my artistic process and often guides the mood of a painting. If I’m working on a summery piece, I’ll put on a summer playlist.

“If I’m focusing on something nostalgic or Australian-inspired, I’ll listen to older classics. Even being at home with my son Ned has sparked inspiration. Observing the small moments of life with him has brought a fresh perspective and energy to my work.”

Inside her studio is where the fluid, intuitive process unfolds.

“A typical day starts with music and a coffee,” Adele says.

“In my studio, I usually move between canvases, building layers of colour, marks, and imagery. My process is fluid. I like working across multiple pieces at once and letting them evolve naturally.

“Becoming a parent has also changed how I structure my days! But it’s also given me space to really focus on creating work that’s meaningful to me.

“In many ways, painting feels similar to sailing — a sport I truly love. I start with a direction, but I respond to what comes up in the moment and let the process guide me.”

Adele’s creative process begins with a feeling, rather than a fixed concept.

“My creative process usually begins with a feeling or a moment rather than a fixed image of what the final work will look like,” she explains.

“I often draw inspiration from everyday experiences, especially time spent outdoors during the Australian summer. Things like being in the garden, days at the beach, fishing, diving, or sharing food and drinks with friends. These often spark the first ideas for a painting.

“From there, I start gathering visual references and sketching loose ideas. Sometimes that means jotting down symbols or small elements that I associate with the memory or feeling I want to capture. These might be objects, plants, animals or colours that help tell the story within the piece.

“When I move onto the canvas, the process becomes much more intuitive. I work in layers, building up colour, texture and symbols gradually. Often, the painting evolves as I go, and I let the composition guide me rather than sticking too rigidly to the original idea.

“The final stage is about stepping back and refining the balance of the work. I look at how the colours, shapes and symbols interact and make small adjustments until the piece feels cohesive and holds the energy of the moment that inspired it.

Adele’s expressive, layered paintings aim to create connection in the home.

“What I hope my art does is evoke warmth, nostalgia, and joy. I want it to feel immersive, like stepping into a memory or a moment that’s familiar but also open to personal interpretation,” says Adele.

“Ideally, it sparks a feeling or memory unique to the viewer, while creating a sense of comfort and connection in their space.

“When it comes to bringing art into your home, I always suggest you choose what you genuinely love. Your home should feel like you.

“The piece you choose should make you happy and reflect your personality. Choose and style art because you love it, not because it is trendy or because someone else says it is the right way to do it.

“To create a beautiful, cohesive space, it can help to pick up colours from the artwork and subtly echo them through cushions, rugs or objects in the space so everything feels connected.

“Also, don’t be afraid to move things around. Sometimes styling art is about experimenting until it feels right. The most important thing is that the space feels personal and tells your story.”

We can’t wait to see what’s next for this incredibly talented emerging artist. With exciting exhibitions on the horizon and prints soon to be available on her website, there’s lots to watch out for.

To view more of her expressive layered paintings, follow along and see what’s next. You can check out her website, or follow her on Instagram. And if you love discovering new artists, subscribe to Style Curator to get the latest delivered straight to your inbox.

Discover more artist profiles here

The post Adele Auchterlonie: Capturing the rhythm of Australian summer appeared first on Style Curator.

With textured layers, gestural movement and a signature use of sand mixed into paint, Bec’s art is as much about feeling as it is form. Let’s chat!

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Creativity has always been part of Bec’s life, even if it’s taken a few scenic detours along the way.

“I live on the Gold Coast, but am originally from Western Sydney,” says Bec. “I am a Mum to 3 amazing kids and a cavoodle named Harlow.

“My husband is also an artist and we are about to release a clothing line featuring some of his paintings. Lately we’ve been sharing a studio space, something we’re not used to! It’s a good test for our marriage!

“I have been known to try many creative ventures over the years, and admit to being easily distracted with a good side quest!

“I originally trained as a primary school teacher, and aside from teaching art in the classroom, I had very little formal art experience.”

Bec found her passion in art through life’s hardest moment.

“Like many people, my artistic journey was sparked by a major life moment,” Bec recalls. “At 39, I was diagnosed with stage 4 thyroid cancer. I left my teaching job and made a conscious decision to explore the world of art.

“During surgery, recovery and treatment, I couldn’t work, and I needed something that would give my days structure, purpose, and a sense of myself again.

“I spent countless hours experimenting with different techniques and watching online tutorials during treatment and COVID. Very quickly I realised that when I was painting, I wasn’t thinking about anything else.

What began as a passion, turned into a full-time practice. Simply for just having a go.

“Art is now very much my full-time focus… an obsession actually!” smiles Bec. “When I first got started, I built up a collection of works and approached Simone, the owner of a local interior design store called Kira & Kira.

“They loved it! My work suited their style and they’ve been supporting me ever since. And that’s really how I became an artist — one brushstroke at a time, simply following the moments that helped to both distract and make me feel alive.

“I now work mostly from my home studio. I still travel back and forth to Sydney for clinical trial visits, so working for myself allows that flexibility. It keeps me closer to the kids and school runs.”

To create her painterly style abstracts, Bec adds an interesting natural element.

“I’d describe my art as gestural, painterly style abstracts. I love working on large pieces. They really make such an impact.

“A lot of my inspiration comes from the time I’ve spent in nature, especially by the hinterland and the beach. During a really transformative period of my life, I found myself drawn to the ocean and the slow, grounding rhythms of being outside,” Bec recalls.

“Now they naturally flow into my work. My abstracts are less about depicting a place and more about capturing the feeling of those moments: the calm, the clarity, the sense of returning to myself.

“My creative process is really intuitive and playful. I never go in with a strict plan. I respond to colour, texture and whatever mood I’m in that day.

“One of the biggest parts of my process is adding sand into my paint. I started doing it during my healing, when I was spending so much time at the beach, and it just stuck. The sand brings this beautiful sense of place with it. That grounded, salty, sun-on-your-skin feeling we all know.

“It gives the work texture and a bit of grit, but it also reminds me why I paint in the first place. I build the layers slowly, letting each mark guide the next, and I love the moment the piece starts to take on its own personality.

“For me, creating is a mix of instinct, movement and joy. The sand keeps me connected to the coast, and every artwork ends up carrying a little piece of that energy.”

Her colour palette is all about natural hues… with a burst of colour.

“My favourite mediums to paint with are acrylics, oil sticks and oil pastels. When it comes to my preferred colour palette, it has changed,” Bec explains.

“When I began, my favourite colours to create with were in a very grounded, earthy place. Colours that helped me feel connected and steady.

“I still lean into those natural hues, but recently I’ve started weaving in more vibrant pops of colour.

“Those brighter colours feel like small moments of joy, defiance, and gratitude. They’re my way of honouring life in all its complexity — the hard, the beautiful, and everything in between.”

While art is her career, Bec still aims for her work to be intentional and joyful.

“I had started this year with the plan of it being my year of saying ‘yes’,” Bec says. “I was offered some great opportunities but for various reasons I had to decline. It made me realise that unless it was a ‘hell yes!’ then I needed to say no.

“I am working on making sure I remember why I started painting, and keeping my life relatively stress free. In saying that, I do work best when there is a deadline. I’m known for leaving things to the last minute!

“I am also very proud of the collaboration I did in partnership with Drift Trading Co. They are a local candle making business and we created a candle featuring my artwork. We donate 10% of each candle to the NORTH Foundation, the charity partner of NORTH STAR VNP.

“This charity gives patients across Australia fast-tracked access to new international cancer clinical trials and is helping accelerate a cure for cancer. This is a cause very close to my heart because it’s connected to the hospital where I access my clinical trial. The candles can be purchased on my website.”

Photography by Michelle Swan — Eyes of Love

Big thank you to Bec for sharing her inspirational story and showing us the beauty of painterly style abstracts. You can purchase her artworks and candles on her website, or take a look behind the scenes in her studio on Instagram.

More chats with creatives here

The post The painterly style abstracts from artist Bec Talbot appeared first on Style Curator.

There’s something beautiful and functional about her work as she reminds us that good things take time.

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Hailing from the Byron Shire on the New South Wales coast, Carol saw ceramics as an opportunity to help her slow down in her busy life.

“I live with my husband, our 2 young daughters and 2 dogs. My home studio is where most of my pieces come to life. Often with little hands helping (or more like, interrupting!)” Carol says with a laugh.

“I have a deep love for good design, handmade objects and photography. My background is in graphic design and in my previous job I was a lead designer in the publishing industry.

“Motherhood gave me a chance to pause and an opportunity to rediscover my hands-on creativity. Clay quickly became my outlet and evolved into my passion.

The slow and repetitive style to Clayhead pieces are a lesson in life to pause and appreciate that good things take time.

“When I am creating, my craft brings me calm and clarity,” smiles Carol. “Working with clay brings me back to the present moment.

“My petal pieces started as a quiet exploration of repetition and rhythm. Pressing, shaping and layering clay until it almost feels alive. Each form grows slowly, petal by petal, often inspired by organic structures found within nature.

“I do rough sketches, or draw out some ideas dancing in my head before turning to creating with clay. But sometimes, it turns out totally different to how I imagined it. There’s a real patience to my process, but that’s part of the joy.”

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A post shared by Clayhead | Ceramic Artist and Maker (@clayhead.au)

Inspired by nature, the pieces from Clayhead are truly unique.

“Nature is a constant source of inspiration. The texture of rocks, petals, leaves, and other forms found can motivate me to create,” says Carol.

“My travels often spark new ideas too. I love observing how other cultures approach ceramics and form. 

“When I create, I always come back to vases. They feel sculptural yet functional, each one has its own personality. I love how they can transform a space with or without flowers.

“Also I enjoy the challenge of making larger vessels, rather than smaller ones. There is something about a larger scale to work with that gives my ceramics life.”

Fitting her craft in around a busy home life is something that Carol sees as both a challenge, and a blessing.

“Clayhead is my full-time job. I’m grateful that it’s also my passion and I truly love creating.

“As my studio is at home, it can often be a juggle to create around family life. Some weeks the studio is a flurry of making and kiln firings. And then other weeks it’s slower and quieter. I’ve learned to embrace the rhythm, it’s all a part of the creative process! 

“I recently participated in the North Coast Ceramics Mud Trail. I opened my studio to the public for the first time. It was such a joy connecting with people face to face and seeing them respond to my work.”

Photography — Elna Nelson

What gorgeous and inspiring pieces Carol creates. We were delighted she shared them with us! Not sure about you, but we find her petal technique so calming and beautiful to watch!

You can see more behind the scenes studio moments and keep an eye out for new works on Clayhead’s Instagram page.

Discover more artists here

The post Clayhead: Creating beauty through rhythm and repetition appeared first on Style Curator.

Georgie Leckey, Founder and Creative Director at Heatherly Design shares her wisdom and years of experience to help craft a room that’s unique to your style and space.

And be sure to read till the end to take advantage of an amazing offer, exclusive to Style Curator readers, from Heatherly Design!

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Bedroom trends move fast. So, what textile trends will define bedrooms in 2026?

“For 2026, we’re seeing a move toward what I call tactile richness — fabrics that truly invite touch,” Georgie explains. “Bedrooms are becoming more sensory environments, and we’re leaning into materials that feel alive under your fingertips. Think nubby linens, slubbed weaves, velvets with depth, and jacquards that feel almost sculptural.

“The palette supporting these materials is soft and grounded. Gentle neutrals, earthy terracotta, and muted clays. But we’re also seeing punctuations of unexpected warmth through shades of pink, deep blue, and red. These hues are emotive and grounding, much like nature itself.

“We’re seeing textiles that mirror organic forms. Meandering lines, deconstructed botanicals, and patterns reminiscent of coastal landscapes.

“Alongside this, there’s a nostalgic return to retro and vintage references, but reinterpreted through a lens of emotional connection. These designs carry a sense of story, craftsmanship, and memory rather than replication of the past.

“Ultimately, the thread tying these trends together is intricate craftsmanship. People are craving pieces that feel human. Woven, stitched, or tufted by hand, and that carry this kind of artistry into the home.”

We’re seeing a move away from previous on-trend patterns like checks, stripes or boucle, towards new textures and prints.

“While boucle and geometric weaves have had a beautiful moment, we’re moving toward patterns that feel more soulful and storied,” Georgie explains.

“Nature remains a strong influence, with botanical expressions ranging from serene, almost ethereal florals to bolder, more experimental interpretations — what I’d describe as Punk Florals. These are large-scale, abstracted blossoms that add drama without the overwhelm.

“At the same time, classics such as stripes and plaids are not disappearing. They’re being reimagined. Think softened colour palettes inspired by the 1970s. Muted ochres, powdery blues, faded greens, giving these traditional patterns new life and warmth.

“We’re also seeing a strong return of artisanal prints. Designs that mimic embroidery, tapestry, or hand-loomed textures. Trompe-l’oeil effects and jacquards that look hand-stitched, create a visual playfulness that honours craft.

In 2026, expect to see the trend of minimalist styling make way for more opulence and luxury.

“The minimalism of past years is giving way to something richer. Think interiors that invite you in, rather than hold you at arm’s length. In 2026, bedrooms are cocooning spaces layered with material depth,” Georgie says with excitement in her eyes.

“You’ll see fabrics with a touch of opulence. Jacquard weaves that add structure and dimension. Woven textiles that showcase artisanal craft. And finishes that play with contrast… matte against sheen, smooth against ripple.

“There’s also a strong desire for what I’d call ‘honest tactility’. Textures that embrace their natural imperfections. Fabrics with gentle puckers, ripples, or visible weave structures add to the surface. They catch the light in nuanced ways, creating subtle movement even in stillness.

While we want our bedrooms to be beautiful, they also need to be comfortable (and practical). So how do you strike the perfect balance?

“It always begins with how a space is lived in,” says Georgie. “At Heatherly Design, we help our clients think about function through emotion. How they want a room to feel first, then how it needs to perform.

“For decorative pieces such as a bedhead, where daily wear is minimal, I always encourage choosing comfort and beauty above all else. Perhaps a plush velvet or pure linen that invites touch.

“For more functional furnishings, a natural fiber with a tighter weave or a performance finish allows you to have both softness and strength.

“Performance velvets and treated cotton blends have evolved beautifully. They now offer that luxurious, tactile experience with the practicality of stain resistance and durability. For families or high-use spaces, microfibers or even leather can offer longevity without compromising style.”

Colour and the mood it evokes are what makes the a bedroom feel unique and special to you.

“We’re in an era of reconnection — to earth, to emotion, to home. That’s reflected in the colour palettes people are gravitating toward. Warm, grounding tones are taking precedence over the cool greys and stark whites of recent years,” says Georgie.

“We’re seeing the return of clay, terracotta, and rich neutrals like mocha and taupe. These shades feel cocooning — they create a sense of calm that’s deeply needed in our fast-paced world.

“There’s also an affection for greens — sage, olive, and deep forest — which evoke restoration and balance.

“But warmth doesn’t mean dullness. Many of our clients are layering these earthy tones with spirited accents. Think soft blush, cobalt blue, even gentle mustard. These help inject personality and optimism into the palette.

Textiles can influence the mood and atmosphere in the bedroom.

“Textiles are everything!” laughs Georgie. “They dictate not just how a bedroom looks, but how it feels.

“A linen headboard paired with cotton sheeting evokes a relaxed, effortless calm. Velvet or silk instantly adds a layer of understated luxury.

“Colour drenching is particularly powerful. When one hue is layered across bedhead, wall, and linen, it creates a deeply immersive experience. A sage-on-sage bedroom, for example, feels like a sanctuary.

“Similarly, monochromatic palettes paired with natural materials such as rattan, timber, or brushed plaster offer depth without distraction.

“In essence, textile choices are emotional choices. They shape how we rest, restore, and feel held by our surroundings.”

There is a secret to layering textiles to achieve that beautiful, cohesive look.

“I believe in layering with intuition rather than formula,” Georgie explains. “Start with the foundation piece, your bedhead, as the anchor. From there, build layers of texture and tone that feel harmonious rather than matchy.

“Mix linens with velvets, flat weaves with soft knits. Play with scale. Larger cushions at the back, medium in the middle, and a smaller accent or bolster at the front to add rhythm.

“A beautifully draped throw, positioned casually, brings movement and warmth. Resist the temptation to over-style.

“I often say, “It should look like you could sink right into it.” Cohesion comes not from perfection but from a consistent palette and balance of texture.”

Often it’s the simplest change that offers the biggest transformation when it comes to bedroom textiles.

“Swapping out textures and tones can completely shift the mood,” Georgie says. “The simplest change, and the most transformative, is a new throw or set of cushions.

“Moving from crisp linen in summer to a chunky knit or bouclé throw in winter immediately adds warmth and depth. A new cushion arrangement in a rich jewel tone or muted botanical print in velvet fabric can bring personality to an otherwise neutral space.

“Even reupholstering a bedhead in a fresh fabric can feel like an entirely new room. It’s remarkable how small textile gestures can breathe new life into familiar surroundings.”

When it come to bedroom textile design trends, Heatherly goes beyond just beautiful design.

“Every fabric we introduce into our collections must pass what I call the touch test. It’s not enough for a textile to look beautiful, it must feel beautiful,” Georgie explains.

“Our design team works closely with mills, artisans, and textile houses both locally and internationally, seeking materials that balance craftsmanship, longevity, and emotional resonance.

“Our clients come to us for individuality, so we ensure every material we offer inspires personal expression, not imitation.

“Today’s customers are deeply conscious of how and where their pieces are made. Sustainability is no longer a trend, it’s a mindset.

“We’ve seen a strong movement toward natural fibres — linen, cotton, wool — not just for their eco-credentials, but for how they make people feel.

“There’s also a growing appreciation for local craftsmanship. When a piece is made here in Australia, there’s an immediate connection to community and a sense of integrity in the process. People value that their purchase supports local makers, reduces transport emissions, and results in a piece built to last.

When choosing quality textiles, it pays to look after them so they stand the test of time.

“Care is the partner to craftsmanship. To ensure your bedhead stands the test of time, start with simple rituals: blot spills immediately, never rub, and shield fabrics from direct sunlight,” Georgie tells us.

“For velvets, a gentle soft-bristle brush helps maintain their plush surface. For all upholstery, an occasional vacuum with a soft attachment keeps dust from embedding in the fibres.

“If possible, apply a fabric protector to repel stains and moisture, it’s an invisible safeguard. And always use cleaning products suited specifically to your fabric type. Harsh chemicals can do more harm than good.

So where are bedroom textile design trends heading for 2026?

“If there’s one textile trend to embrace in 2026, it’s layered tactility. The most inspiring bedrooms will be those that feel rich in texture yet effortless in composition,” smiles Georgie.

“Think beyond colour. Look at surface, depth, and feel. Combine raw linens with velvets, pair soft boucle with woven jacquards. Even in a neutral palette, texture can tell a story.

“In essence, 2026 is about feeling your way through design. Creating spaces that look beautiful, but more importantly, that feel deeply personal and alive.”

We loved hearing Georgie’s detailed and helpful expert advice all about bedroom textile design trends — thank you so much for sharing! Beautiful craftsmanship and creating a connection to community is what Heatherly Design is all about… and we’re so here for it! And now of course, check out the fabulous exclusive offer only for Style Curator readers!

Exclusive offer for Style Curator readers
Simply use the code STYLECURATOR when placing an online at Heatherly Design and receive a set of Weave Linen Pillowcases valued at $104.95. The offer is valid when order ordering in the showroom, or via phone or email.

Terms and conditions
Valid on bed and bedhead orders of $1500 or more. Not applicable to trade orders. Excludes items on sale and not valid with any other promotion. 1 set of standard pillowcases per bed or bedhead purchased. Colour and style subject to availability and Heatherly Design reserve the right to substitute the pillowcases. Offer not redeemable to cash or transferable to any other item.

The post Bedroom textile design trends for 2026 appeared first on Style Curator.

Whether you’re searching for a statement artwork for your home or you simply love discovering new artistic talent, find one to love in our round up.

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1. Leah Cummins

A proud Mayi woman from North-West Queensland, Leah Cummins uses her art to share stories of her Country, language, and heritage. Her vibrant works are filled with movement and joy, often blending traditional symbolism with a modern aesthetic. Leah’s paintings feel alive — each one an invitation to connect with culture in a deeply personal way.

Discover Leah’s work

2. Karen Lee Mungarrja

Putting her own abstract interpretation on Aboriginal iconography, Karen takes a ‘journey of discovery’ to navigate her connection to culture and explore concepts of memory.

Karen Lee Mungarrja is a Warlpiri, Luritja and Kokatha woman whose intricate works reflect her deep cultural knowledge. Her art draws on sacred stories and Dreaming, translating them into stunning visual narratives. Karen also brings her designs to textiles and homewares, offering new ways to experience and appreciate her culture.

See more of Karen Lee Mungarrja’s art

3. Goompi

From the Quandamooka Country of North Stradbroke Island, Goompi is a master of dot painting whose works honour the traditional methods of his ancestors while incorporating his own contemporary style. His detailed compositions often depict the movement of water, seasonal changes, and the deep connections between people and nature.

Read our feature on Goompi

4. Domica Hill

Domica’s contemporary Aboriginal art blends traditional style with modern aesthetic. She turned to art as a form of healing after losing her first daughter. What began as a therapeutic journey for herself quickly became a powerful bridge, allowing her story to connect with others.

Read Domica’s story

5. Lou Martin

Lou Martin, a Bundjalung, Gumbaynggirr and Yuin woman, creates stunning, colourful artworks that speak of resilience, history, and connection. Hailing from a family of creatives and a painter of almost 30 years, it’s only in recent years that Lou shared her artwork with the world. She’s been making up for lost time, quickly signing as an artist with Greenhouse Interiors and collaborating with major brands like Maxwell & Williams.

Discover Lou’s story

These artists represent just a small glimpse of the incredible First Nations talent across Australia. We’ll continue to celebrate new and emerging talent in our artist spotlight stories. You can support their work in big and small ways, from purchasing their art to following them on social media and sharing their stories. If you know of any fab artists we should feature, drop us a comment below!

More artist stories

The post 5 of our favourite Indigenous artists appeared first on Style Curator.

Describing her art as abstract botanical, we love her signature style and strong colour palette. Her art is all about joy, colour, and connection.

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A full time artist, B creates magical works of art from her home studio in Brisbane.

“I’m B, short for Bernadette. I’m a full time artist who grew up in Far North Queensland and now call Brisbane home. Coming from the far north, I have always felt deeply connected to wild places, big skies and bold colour,” smiles B.

“I live in Brisbane with my husband and three kids. I also have a home studio that opens onto our leafy street. It’s filled with light and is a space I absolutely love being in. It’s where the work happens, but also where the inspiration lives.”

Art has always been part of B’s life. It’s who she is.

“Art has been a thread running through my life since high school. I took every art subject I could, and never stopped creating. I was always sketching, writing or performing,” B recalls.

“Eventually, I went on to study digital design, but circled back to painting. There’s something about acrylic on canvas that just feels like home to me.

“I’m incredibly grateful that art is my full time work and my full time obsession. I treat my painting practice with care and structure, but the real magic happens when I can just let go and paint freely. Where I’m not tied to a brief and I paint for no one but myself. I think it’s when I create my best works.”

The colourful botanical paintings B creates are full of life.

“My style of art doesn’t fit neatly into any one category… and I like it that way,” smiles B. “I call it messy botanicals. I guess you’d call it kind of expressive floral abstraction. Part garden, part feeling, part dream.

“My style blends loose forms with hints of natural structure. There’s often a bit of chaos in there, but also rhythm and repetition that tie it altogether. The end result often gets described as joyous.

These abstract botanicals are bursting with colour.

“Colour is my favourite part of the process. I am constantly taking mental snapshots, from someone’s outfit, to roadside flowers, summer skies or a bag of sweets,” B explains.

“Sometimes I have a hero colour in mind when I start, but the painting usually takes over and tells me where it wants to go.

“I’m drawn to plant shapes and natural forms, but I’m not trying to replicate them. I invent most of the botanical elements in my work. They’re based on memory, emotion and imagination.

The process to create one of these colourful botanical paintings is hidden amongst the layers.

“I usually start with a background wash of colour to set the tone,” says B.

“Then I build up the painting in layers, shapes, marks, organic lines, letting the piece evolve as I go. I work intuitively, especially when I’m painting for the joy of it.

“When I fall into a good rhythm, it’s almost meditative. That’s when the paintings surprise me, and those are the pieces I end up loving the most.”

Thank you so much to B for sharing her beautiful colourful botanical paintings with us. You can explore her collection on her website, or find more colourful behind the scenes inspo on her Instagram.

Find more chats with creatives here

The post The layered, colourful botanical paintings from artist B Twomey appeared first on Style Curator.

With years of experience in plant and garden care, they have our full attention when it comes to sharing tips on creating a greener, more beautiful home.

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When Anna and Dave wanted to combine their green thumb expertise with a practical solution to take the hassle out of indoor plant care, Indoor Pot Supply Co. was born. 

“Over the years, we learned all the tricks to maintaining lush, vibrant indoor gardens. And so much of it has to do with watering and creating an ideal environment for the plant.

“Most plant owners tend to give their plants a little too much love — usually by overwatering, which can lead to root rot and a host of other issues. Or, like us, they’re juggling a busy family life where plant care doesn’t always make the top of the to-do list.

“We knew simply using self-watering pots would solve many problems,” explains Anna.

Seeing the offering of self-watering pots on the market – most looking more like plastic rubbish bins than indoor pots – they were inspired to create a better solution!

“It surprised us to find almost no self-watering pots in a material other than plastic. We have a more earthy, minimalist aesthetic.

“I’ve always had a passion for design and wanted to create something that not only functioned well but looked good,” smiles Anna.

“It started our journey of designing, prototyping and iterating the smart indoor pots you now find in our range.

“We decided on fibrestone for the material because it has a beautiful finish like concrete yet is lightweight and can be waterproofed. Fibrestone is a mix of polyresin, fibreglass and crushed stone and truly mimics concrete texture without the weight or fragility.

“It’s also durable and can be formed into a range of contemporary shapes like our popular fluted profile. And because our pots don’t weigh much, we’re also able to offer free shipping to metro areas in NSW, QLD, SA and VIC.”

Offering more than artisanal aesthetic, these pots have a clever design under the lid… or should we say ring!

“We’ve been using these types of pots in our commercial plant maintenance business for many years — they come with a  ‘smart ring’ design that allows you to leave your plant in it’s plastic nursery pot, suspended by the smart ring and creating a reservoir below for your plant to draw upon. You can cover up with pebbles, bark or any other natural material you like and you don’t have to fill the entire pot with soil!

“It’s also a fuss-free and mess-free solution for indoor plants, avoiding spills or the need for plant saucers that can stain floors.”

Having just released their latest style, the adorable, rounded Lulu design, there’s no signs of Anna and Dave slowing down.

“We want to develop pots to suit every aesthetic. TOKO is one of our most popular and as the name suggests, it has a clean Japanese minimalist design. BAJA on the other hand, is rustic and has an old-world seaside feel. 

“I’m inspired to keep deveoping new shapes and play with finishes. We believe every home should flourish with thriving indoor plants and creating the perfect pot drives us.”

We couldn’t let these plant experts go without giving us their top 5 tips to keep indoor plants alive and thriving.

“Getting the watering schedule right is a must! If you don’t have a self-watering pot, we suggest buying a water metre from the nursery. It will give you an accurate measure of your soil’s moisture levels so you only water your plant when it needs it. Or, if you don’t mind getting your hands dirty, you can press your finger down into the top inch or so of soil, if it’s moist don’t water your plant.

“Position your plant in a good spot around your home. Different plants need different amounts of natural light, and some can’t handle direct sunlight. A quick Google search should tell you what conditions your species prefers.

“Pests can quickly kill a plant so act fast if you see any. Neem oil is a great, natural way to keep your plants pest free.

“There are too many plant tips to mention but probably checking the size of your pot [to avoid it getting root bound] and positioning it away from heaters or cool draughts would also be top of the list.”

For even more plant care tips and to check out their full range, visit the Indoor Pot Supply Co website. You can also connect with them on Instagram for plenty of plant inspo! 

More plant care inspo

The post This design duo makes indoor plants more stylish and simpler than ever appeared first on Style Curator.

She turned to art as a form of healing after losing her first daughter. She chats openly about this incredibly painful time in her life and how art became a therapeutic outlet that helped her heal.

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A teacher by trade, now an artist, Domica and her family call the Sunshine Coast home.

“My family and I moved to the Sunshine Coast 3 and a half years ago. I hail from lutruwita (Tasmania) with a bloodline tracing back to Mangana, the revered leader of the Bruny Island peoples.

“I live with my incredible husband Jarrod who is my rock. He is constantly supporting my wild ideas with unwavering love. Together, we have a beautiful little boy Jyka, who is nearly four, as well as 3 angel babies who live in our hearts and through the art that fills our home.

“Of course I can’t forget to mention our 2 little dogs, Koda and Frankie! They’re mischievous papillons who act more like tiny humans,” Domica says with a laugh.

Domica’s journey to becoming an artist is heartbreaking, yet comes from a place of true strength and beauty.

“I became an artist in the wake of losing our first daughter, Briar,” Domica recalls. “Born at just 24 weeks, she had an extremely rare genetic condition.

“Over time, what started as personal expression evolved into something much larger. When I stopped teaching due to the combined impact of our loss and the onset of COVID while living in Melbourne, art naturally took centre stage.

“It all came together quickly. Friends requested pieces, then their friends, and soon it grew beyond anything I had imagined. I launched my Instagram and website, and before I knew it, I was fully immersed, hardly able to pause for breath.

The inspiration for all her pieces of art comes from a truly heartfelt place.

“My inspiration is deeply rooted in my journey. Experiencing the loss of babies or loved ones in any form is profoundly life-changing, impacting every aspect of existence,” Domica explains.

“Art has become a powerful bridge. Connecting me with others, allowing my story to resonate, and offering a sense of shared understanding.

“When people engage with artwork that carries deep meaning and find elements within it that reflect their own experiences, it creates something truly special.

Domica’s style of art blends tradition with a modern aesthetic.

“My work is unmistakably contemporary Aboriginal art,” she says.

“While I incorporate traditional symbols and dot painting to convey my story on the canvas, my approach to colour and style leans toward a bold, modern aesthetic. I explore a distinctly contemporary expression, blending heritage with innovation to create something fresh and uniquely my own.

“Dots hold a profound significance in my art, serving as a bridge to my ancestors and a way to weave my heritage into every piece I create. While my mob — the Palawa People — did not traditionally use dots in their artwork, this visual form has become widely recognised as a representation of Aboriginal culture.

“When people see dot patterns, they instinctively associate them with Aboriginal artists.

The creative process in Domica’s contemporary Aboriginal art is a journey that showcases real and raw emotion.

“My creative process is fluid and ever-changing. I always begin with a colour palette, something broad yet intentional,” Domica explains.

“For instance, I might decide to work with greens and earthy tones, allowing room for flexibility. Native flora frequently takes centre stage in my pieces, and at times, native fauna as well.

“I feel deeply connected to the land, to what makes our country uniquely ours, and to the plants and animals that have always held significance for Aboriginal people.

“From there, I begin weaving a narrative using symbols and patterns. Often, my work becomes a reflection of my journey. My support system, the elements that have carried me through challenges, and the experiences that have shaped me.

A beautiful, heartfelt moment allowed Domica’s personal life to connect with her world as an artist.

“One of the most meaningful moments in my career as an artist was creating a special piece for the charity Precious Wings. The artwork was auctioned at their annual gala, raising thousands to support their mission — providing beautifully crafted memory boxes for families grieving the loss of a baby or child,” Domica explains.

“This collaboration held deep personal significance, as my own family received one of these precious boxes after we lost our second son, Huxley, in January 2024.

“In a remarkable twist of fate, the founder had no idea at the time that I had received one of their boxes. She had simply reached out after reading about Briar’s story.

“These profound losses have connected me to so many people and opportunities, reminding me of the extraordinary ways in which the world weaves stories together.

“I am incredibly grateful for the support I received after having Briar. It truly shaped my journey and led my career in an unexpected but deeply meaningful direction.

“The love for my work and the connection with my clients has been invaluable, and I couldn’t be more appreciative of the community that has embraced my art.”

Domica has worked on exciting collaborations, merging her contemporary Aboriginal art with some incredible well known brands.

“Collaborating with brands has been a major highlight of my career. To be honest, they have all unfolded quite organically,” Domica smiles.

“People are often drawn to my work or connect deeply with my story. This helps lead to meaningful partnerships built on mutual appreciation.

“One of my favourite collaborations has been with Koh Living. Koh Living is a brand that creates stunning homewares and gifts. Every detail, from the thoughtful packaging to the narrative woven into the designs, has been meticulously crafted to perfection and held to the highest quality standards.

“Beyond the artistry, the best part is working with the people behind the brand. They are down-to-earth, genuine, and an absolute joy to collaborate with.”

What a story! We are so grateful to Domica for sharing her real and incredible raw story with us. Her passion and joy is unwavering, and comes across in each piece of her heartfelt art. Discover more contemporary Aboriginal art from Domica Hill on her website, or scroll through her Instagram page.

More artists here

The post Art as healing: Contemporary Aboriginal art from Domica Hill appeared first on Style Curator.

Discover Britney’s beautiful works of art with intricate details just begging to be discovered.

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Britney is happiest in her light-filled, beachside art studio. It’s where the magic happens.

“Art is where I come to life,” says Britney with a smile. “I am a visual artist, based in the beachside town of Yamba in New South Wales.

“I live in a cosy, light-filled space that doubles as my art studio. But don’t talk to me before I’ve had my morning oat latte, I can’t function without one!

“Lately, my life is a much slower pace as I focus on finding balance and promoting positive mental health. This comes after a period of burnout from building my solo art business.”

For Britney, art has always been ‘the one’.

“Art has always been how I’ve processed the world. It’s less of a decision and more of a return to something natural for me,” she explains.

“I’ve been drawing and creating since I was little. But, as many artists do, I first pursued more ‘practical’ paths.

“I began carving out time for my practice, experimenting and building a body of work. From here, I started sharing it online and that momentum led me to where I am now.

“I’m so proud that art is my full-time job. It’s a combination of studio work, collaborations, commissions, and nurturing my online store. It requires a lot of organisation, devotion and passion.

“I’m still navigating the realm of ‘artrepreneurship’ as I aim for this to be my lasting, sustainable career.”

Her boho art has a distinctly holiday feel to it.

“I think the best way to describe my art is abstract expressionism. Nature is my greatest inspiration. The colours, textures and feelings,” Britney says.

“My own personal spiritual journey has also influenced many of my works. Ultimately, I want each piece to feel both grounded and expansive.

“Over time, the synchronicities ramp up and gesture me to pay closer attention to the ideas, motifs, colours or themes that may appear.

“Artworks can simmer away in my mind for month. But once I start putting paint on a canvas, it is an effortless and quite rapid process where I hyper-focus on nothing but the art.”

Big thank you to Britney for showcasing her beautiful boho art with us. Kinda makes us want to take a holiday! You can find Britney’s work on her website, or follow along behind the scenes on her Instagram.

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The post Holiday daydreaming: The relaxed boho art from Britney Turner appeared first on Style Curator.

The raw, expressive brushstrokes of his art tell layer upon layer of stories and we couldn’t wait to sit down and chat with this talented painter.

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Musonga’s artistic talents allow him to travel the world, but Canberra is always home.

“My name is Musonga and I’m a visual artist from Canberra. I primarily express myself through painting.

“Canberra has been my home for most of my life, but now I spend my time between Canberra, Sydney and London. I enjoy travelling but I feel like my love for nature, food and people are what have kept Canberra home,” Musonga tells us.

Art has always played a huge part in Musonga’s life.

“I’m the oldest of 4, so I’ve always wanted to be a good example for my siblings. My family for sure is what got me into art,” says Musonga.

“Painting is something I’ve always enjoyed doing since I was young. I just wanted to see how far I could take it!

“My parents and grandparents always wanted the best opportunities for us. Academia is important for me as well, so I hold a Bachelor’s degree in Economics.

“With art being my full-time role, I’ve quickly learned that running a business comes with its own set of challenges, but that’s life you know?!

“I’m so grateful to be in a position where I get to wake up and create. Sometimes it feels a bit surreal to say I’m a full-time artist!”

His edgy street art style paintings are almost like layered stories.

“When I first started painting, I was inspired by Basquiat,” he explains.

“I was drawn to his ability to tell stories through paintings. The older I get, the more my intuition has stepped in, so I feel like my style is slowly evolving by the day.

“I normally start with a selection of colours using spray paint and acrylic. Once the base is finished, I build my way up from there using oil pastels. The whole process is intuitive.

“My paintings tell the story of my cultural backgrounds. I have Tanzanian and Zimbabwean roots, and grew up in Australia.

“Each canvas is a collection of aspirations and anxieties combined with cultural references. It showcases my life as a young person navigating life as a ‘third culture’ kid.”

Jean-Michel Basquiat was an American artist in the 1980s who formed an integral part of the Neo-expressionism movement at the time.

Canberra Hospital recently invited Musonga to bring his street art style paintings into the newly expanded paediatric ward.

“Being asked to create 50m of artwork at Canberra Hospital was pretty cool,” smiles Musonga.

“I created some wall artworks, along with an interactive sculptural play wall for the childrens wards. It draws on my signature style which is carefully detailed and full of meaning.

“The hope is to distract the children, facilitate learning and allow visitors to explore beloved icons and histories that are unique to Canberra.”

His bold coloured artworks and raw, expressive style has caught the attention of radio station Triple J, inviting Musonga to design some campaign artwork.

“I’ve always loved colours. When done in certain ways they can evoke certain feelings,” says Musonga.

“Colour has been my favourite form of expression since I was young. Even now I spend a lot of time picking and mixing them to get them perfect.

“Getting to design campaign artwork for Triple J in 2023 was pretty cool. I was the first person commissioned by them in 2 decades. That level of trust is surreal!”

Big thank you to the incredibly talented Musonga Mbogo for chatting all things art with us. His street art style is certainly one to watch. You can find Musonga’s art at Hake House or Fenton & Fenton as well as on his own website and via his Instagram page.

More artist profiles here

The post One to watch: Musonga Mbogo and his intuitive street art appeared first on Style Curator.